I steeled my heart to take the incomplete, lackluster språng pullover off the loom to discard it, and then I couldn't do it. I like things to be useful and this project still has something to give.
So I ignored the loom as it sat out of the way next to the window of the wool room.
The last few inches of warp are the most difficult to complete, not mentally but physically, as there is little room to maneuver and interlink the threads. This is why so many traditional objects in språng are not worked right up to the middle.
However, it turned out that it wasn't the interlinking that was holding me up, but the position of the loom in the room. Once I moved the loom eight feet over to my desk within reach, I felt a lot more like finishing the project.
Of course, feeling like doing something is not actually doing something. You'll know I've finished the project when you see one or two new språng how-to YouTube videos from me featuring a white pullover vest in the Skrydstrup pattern.
Speaking of making things convenient, stuck to the top of my loom is the pattern copied from Collingwood and on it a bobby pin marks the row where I left off last time. I don't have to figure it out from the strands' positions in the last row. Learned this from my weaving lessons.
I'm trying to think of a språng pattern where I would have a hard time figuring out where I left off, and can't. Not even the Coptic turban pattern, you just have to count how many holes down from the apex of the diamond. I have some trouble following that pattern. It's easier now that I've improved the chart I made.
The next large piece in språng I make, I'd like it to be in the Coptic turban pattern. I'd like to make a more polished piece than I've done so far, an eye-catching stole that would get people interested in doing språng. Unless, that is, the next large piece I do is for my dad on the loom he made for a permanent installation piece. Coptic turban would have too smooth a texture and too understated a look. That loom needs something with texture, like Gothic arches.
Now, I have no use for a stole myself, so it would not in the least fulfill my goal of handspun wearables for me in natural colours. You can tell I still lean toward making things that allow me and others to learn about techniques and tools. I expect this to continue.