It is hard to tell if I have a chance of finishing on time. Have heard that a sweater can take a month or as much as a year or more depending on whether it gets regular attention. I do like a deadline and figure it is better to aim for a close one. Even if I miss the cutoff, I will be closer to done then than if I pick a distant date like Christmas and slough off.
July 26, 2014
A Close Deadline as a Strategy
Since I hope to enter the sweater in a competition a couple of months from now, I'm not going to post photos or write about my progress until afterward.
July 07, 2014
The Simple, Complicated, and Complex
The rate at which I do fibre arts projects, it can vary.
What I want is complicated, by which I mean complicated to achieve. It means a narrow choice of materials, long-term projects, and realization of a specific aesthetic and fit.
I've written the modifications, I've gotten gauge, and I've started a sleeve.
I'll stall and drop momentum until I can get help or get in that useful state where desire for the finished object exceeds the reluctance to face the technical problem. It is usually a technical problem, like getting gauge or sourcing materials.
Simple and small or weird and complex with original stuff to figure out, somehow with those I'll move along at a good constant clip. I've made quite a few babies happy this year with Norwegian Sweet Baby caps. I tried weaving overshot and found it as easy as promised. My experiments in the technique of språng were diverting. Unfortunately they are the sort of projects that don't get me moving directly toward my goals. If velocity matters, value matters too. I want finished objects for me. Actual wearable clothing, not accessories, for me, out of local traceable materials that are naturally coloured. Anything else is practice.
What I want is complicated, by which I mean complicated to achieve. It means a narrow choice of materials, long-term projects, and realization of a specific aesthetic and fit.
I have begun a sweater for me, in natural grey Romney commercial aran yarn from the Salt Spring Island Wool Co. I picked Alice Starmore and Anne Matheson's Cullercoats, a cabled sweater pattern published in the early 80s. The cables and border designs are attractive, the lines are dated. I mentioned the pattern on this blog a few years ago, writing, "I don't know if I have the high level of understanding and stern degree of determination I would need in order to alter it to suit my taste."
I've written the modifications, I've gotten gauge, and I've started a sleeve.
Norwegian Sweet Baby cap, swatch for sweater |
SSI Wool Co.'s sheep pasture with Romneys |
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