Fibershed, which is one of the influences on my work, has changed over the years to put more emphasis on pollution reduction, specifically carbon sequestration through grazing of sheep. I am still stuck on the natural dyes part which was more Fibershed's earlier message. And it's not even the environment impact of dyes* that gets me, though I appreciate that aspect. Natural dyes give such a beautiful result. And I think they are, as founder Burgess claims, healthier to wear than synthetic dyes. Can't prove it. But I think so.
In my work with the fibre arts, I don't know if there's much more that I do besides what I've already mentioned. I suppose I consciously limit how much I buy, no S.A.B.L.E. for me. I try to buy North American products. I try to buy used equipment. The only dye made from wood that I would ever use would be osage orange because the trees are considered too abundant in nature. I've dyed with local black walnut hulls which are a waste product here in Virginia. I rarely use silk but that's more out of concern for the working conditions in silk factories than anything environmental. One day I'd like to get some secondhand silk clothing and dye it. However, I have other things to get through before that. I'm not used to having this long a to-do list, really.
In other news around here, the språng demonstration went well last week. The pillow I stuffed with shredded natural latex worked out well and only took 2.5 pounds of fill. The indigo-dyed cotton pillow slip looks excellent. I got more linen in my life by buying a stack of imperfectly-printed tea towels from a local artist's store, Pat Cully Illustrations.
*it's not just about water pollution, there's the possibility of taking invasive plant species and using them for dye. Which I've done, with Scotch broom.
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